Reviews

Steve Shapiro & Pat Bergeson: Low Standards
(Sons of Sound SSPCD026)

"Ms. Sellick has a fluidly rhythmic conception and a sinuous delivery free of affectation. Her soprano instrument has a pleasingly husky bottom which she uses to good effect in interpreting lyrics. She follows Doug Weiss’ bass into the “Ocean” and easily convinces that she knows all too well the depth of Irving Berlin’s rhetorical question. Her “You Don’t” and “Days of Wine” are good, too, but she really nails “Happens,” opening a cappella and conveying a certain weary resignation about going through life “just missing trains and catching colds.” … [Kreitzer's] best moments—and the strongest instrumental Jazz moments of the session— arrive with Wes Montgomery’s “Four On Six” line, when everyone seems to dig in and put out." [read the review]
— Cadence, December 2005

"…it's the arresting, quirky singer — Annie Sellick's catchy, smart-as-a-fox alto — that steals the show…. On Low Standards, Bergeson and vibist Steve Shapiro lead their low-key band through Latinized classics and lush, leisurely originals with lucid grace…. When they back Sellick on shorter alternating tracks, they ease into overdrive for her insinuating smears and hints of Diana Krall and savvy Carmen McRae snap." [read the review]
— DownBeat, October 2005

"…very fine mixed set of standards and originals… smolderingly sexy singer Annie Sellick). There's something pleasingly retro about this group's sound -- there's nothing loungey about them, but something will make you think of cocktails anyway. Recommended." [read the review]
— CD Hotlist, June 2005

"This is unpretentious, straightahead combo swing. Shapiro sculpts his solos well… his frequent four-mallet comping doesn't go unappreciated, and neither does the firm, melodic walking of bassist Doug Weiss. Bergeson shines… Perky vocalist Annie Sellick, an original with her own way of phrasing that allows her tongue-in-cheek personality to emerge…. Shapiro's sharp, but keep your ears on Annie." [read the review]
— JazzTimes, June 2005

"…the music travels a well-described path made all the more definitive by the musicians and the arrangements. …Sellick has a supple, pliant expression and Kreitzer has the ability to dig deep and come up with some impassioned permutations. …there is a mellow air that wafts across nicely enough, there is a stronger wind that carries the moment…. Shapiro adds the glow which Bergeson carries with a buoyant crispness.… Sellick infers a poignant sadness. And she has a way with standards, never decrying from their innate sensitivity." [read the review]
— All About Jazz, May 2005

"... puts you right in th' mood… It's not just the great recording/production on the album that will make it a (real) KEEPER, it's also the fact that all the players understand how important it is to have "the groove" together!…"End Of The Road" would have served ever so well as the theme for "Twin Peaks"!  A really GREAT jazz album that gets a MOST HIGHLY RECOMMENDED from us." [read the review]
— Improvijazzation Nation, April 2005